![]() However, in Gaslight, he managed to disturb me extensively through the screen. (Again I haven't seen anything else from him). I feel like, maybe in different circumstances, there might be a chance that I would not like him. On the other hand, Charles Boyer was a new face for me and he managed to impress me a lot. My first movie with Bergman was Hitchcock's Spellbound (1945) and since then I like her a lot. However, what really made me respect this movie was the great acting of Charles Boyer and Ingrid Bergman. There were some moments that I had to stop briefly because I could not handle the pressure of both characters.įurthermore, there are many great things about this movie. ![]() !while you get the reasons for most of the plot in the early parts of the movie, the characters still catch you and give you a huge amount of anxiety that you are not sure what is going to happen next, or that is how I felt. ![]() I do not want to spoil anymore so I will cut here. Yet, further in the movie, you see the systematic abuse of the husband and continuous problems with Paula. Furthermore, she meets a guy in Italy, gets married to him and moves back to the London house where the murder of the aunt happened. So, in a couple of sentences,>! the movie follows Paula, a young girl from London, travelling to Italy after her famous opera singer aunt's death to not only leave everything behind but also to get singing lessons from a famous Italian teacher. However, as far as I know, the American version is supposed to be better. Nevertheless, I haven't seen the British version yet. There is also a British version of the movie from 1940 by Thorold Dickinson, starring Anton Walbrook, the famous Lermontov from The Red Shoes (1948), which happens to be my favourite movie. I am not sure about the popularity of the movie but I know some stuff that gives credibility to it and I thought I can mention some of them to attract people to watch the movie.įirst, as you can see from my first sentence, I am talking about the American version of Gaslight by George Cukor, well known for his The Philadelphia Story (1940). I saw the American version of Gaslight (1944) with Ingrid Bergman last night and I immediately opened this page to see if anyone wrote about it before.
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